University of Minnesota
dislocate Literary Journal
dislocate.magazine@gmail.com


Home : Columns

Recent Columns

Texting, dislocated // David LeGault
Editor

text messaging--image by Alton/wikimediaI have a love/hate relationship with the text message. It's an interesting technology: it can contact several people at once, can leave reminders/dates/direction, can anticipate the word I'm most likely to write.

It's pretty great. But the text also encourages the passive-aggressive noncontact tendencies in all of us: why talk or reprimand when words can take their place? Text messages are concise by design--the 256-character limit is both convenient and problematic.

I like to use text messaging in my creative writing course: it serves as an interesting parallel to traditional form poetry. What are sonnets and haikus if not a self-imposed restriction on language? Writing constraints force the writer to generate work in a way that doesn't come naturally. By restricting word choice, a writer has to be more aware of language then they are in the unrestricted, stream-of-consciousness form. Also, in the case of rhyming poetry, it usually imposes rhythm or repetition that's satisfying to the reader.

With texting, the constraint has inspired some interesting ways to get around the lack of space--it has increased the popularity of acronyms, the wtf/lol language helps to cram more meaning into a small space. Poetry, I believe, has similar aspirations: how can we capture the world in a single flash or image, a moment of intense reflection?

textread-cap.jpgText messaging is already finding its way into literature. Check out the popularity of the text-message novel. Texting may also be at least indirectly responsible for our increasing comfort with reading literary work on the screen as opposed to page: think of the rising respect for e-journals and the flash form; think of TriQuarterly, a literary institution now going electronic; think of Scarab, the new literary journal available on the iPhone.

So, as writers, what do we do with this?

We need to write (and edit) as if we were writing in a text: treat every word, every letter and symbol, as if it were valuable. Don't waste space with unnecessary asides. Be blunt. Be aggressive. Sarcasm won't translate to a reader without a winky face, so take it out. Remember that every form comes with reader expectations: discover them, use them, break them if necessary.

Write a poem or flash on your phone--embrace the restriction and see what happens.

March 10th, 2010
See all the latest columns

Recent Articles

  • Justin Cronin's The Passage: A Review, of Sorts
    Editor

    passage1.jpg784 pp., Ballatine, $27

    Reviewed by Sara Joy Culver


    1.
    The important thing to understand before you read this review is that I am not a snob.

    [read]8.24.10
  • Literary Lessons from Across the Pond
    Editor

    This excerpt from the diary of Eric Murphy, dated 24 June 2010, is currently on loan to dislocate.org from the British National Museum for Literature.

    24 June 2010
    As I find myself in the middle of an extended stay on a peculiar, far-flung Island which has no access to Taco Bell and whose barbaric entertainment systems are incompatible with my 30 Rock digital versatile discks, I need something to occupy me throughout the evening and night.

    [read]8.01.10

What's Going On

  • Issue 7 Reading Period Open
    Editor

    Attention writers and readers: We are now accepting poetry, fiction, and nonfiction submissions for our Issue 7 reading period, July 15 to November 15, 2010. This year we have transitioned to an online-only submission policy: submit your work via Submishmash. This will streamline our reading process and expedite responses to our prospective contributors.

    [read]7.14.10
  • dislocate Launch Party: What You Missed
    Editor

    Didn't get a chance to attend dislocate's annual shindig, celebrating the new issue release and the launch of the website whose site tracker statistics you are at this very moment improving? We made a slideshow for you so that you would make sure to clear your calendar and book plane tickets to Minneapolis for next year.

    [read]5.16.10

Support dislocate

donate



dislocate is a literary journal
with both print and online
components. Founded in 2001,
dislocate is dedicated to
seeking out and providing the
freshest, highest-quality literary
content available.
  • writing

  • interviews
  • reviews
  • craft
  • profession
  • MFA beat
  • culture

  • fashion
  • lifestyle
  • music
  • art